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1. Colorfinale edits not in exported video final cu pro movie#
2. Colorfinale edits not in exported video final cu pro pro#
3. Colorfinale edits not in exported video final cu pro software#

I’m sure I’ll still edit in Premiere every now and then, but FCPX has won me over and is now my NLE of choice. So much, in fact, that I’ve been starting all my new projects with the program.

I’ve been pleasantly surprised by how much I’ve enjoyed editing in FCPX. Yes, there are some things that bother me about FCPX, like the magnetic timeline, but those usually end up being user errors that I can easily find solutions for. Honestly, that’s really the only con that I’ve found. Yes, I could move over to Motion, but let’s not get crazy here. I had become so accustomed to dynamic linking compositions within Premiere. The issue has simply been getting used to a less efficient workflow. It hasn’t been a huge issue since I can still use AE and just import the exported compositions. That aside, while working in FCPX over the past couple of months, I have missed dynamic linking with After Effects. In addition to the plugin, there are also great resources for learning Color Finale. It is a little aggravating that you have to pay $150 for color tools that pretty much come standard in Premiere, but it is well worth the purchase. However, Color Finale offers professional color grading in FCPX. The built-in color tools of FCPX are a little sub-par. The one that I found the most beneficial was Color Finale by Color Grading Central. There are some great third-party plugins for FCPX. When you need to export multiple videos very quickly, this becomes a very useful feature. It was extremely useful to be able to continue editing another project during an export without having to send to another program like Media Encoder - as you would have to with Premiere. The background rendering feature is, simply put, awesome. This is what I paid the most attention to while working in FCPX.įrom my first export, I recognized noticeable speed increases over exporting the same project in Premiere that were comparable to similar tests I had seen online.

Colorfinale edits not in exported video final cu pro software#

Apple hardware and software working efficiently together make a great combination. This was the biggest selling point to me to make the switch. In my previous post, you can see video comparisons of FCPX to Premiere based on speed. It’s been a surprisingly useful tool for my editing process.

I find myself using it frequently to minimize and maximize timeline sizes, import footage, and a variety of other uses. This tool, which I once considered super gimmicky, has become part of my usual toolset. When exporting the grade as a LUT, this creative look becomes a self-contained file. The clip grade can include correction settings from the inspector panel, layer corrections (excluding masks), and even other LUTs applied within the layers panel. This option is available from the top Gear icon. Oddly enough, when working in Premiere, I would find myself reaching for the Touchbar far more often than I expected. It is possible to export an Color Finale 2 grade as a self-contained LUT in the. Over the last few months, I’ve been bouncing back and forth between Premiere and FCPX, simply because I had older projects in Premiere that I had been working on. I’ll detail some of the reason why I like and dislike the platform. Granted, there still were a few matters that I didn’t enjoy about the NLE, but overall it was a good experience. To be honest, I liked working in FCPX far more than I anticipated.

Colorfinale edits not in exported video final cu pro pro#

Switching from Adobe Premiere Pro did present some challenges however, the transition was not as difficult as I had imagined - especially compared to FCPX’s initial release. Since then, I have been using and learning Final Cut Pro X. You can read that article here for more detail on why I was considering the switch. Here’s why.Ī couple months ago, I posted an article about how I was considering switching to FCPX. Normally H.264/AAC compressed data is used in an MOV, MP4, or M4V file container where high quality and smaller output files are desired for general distribution without further editing.After two months with FCPX, I have decided to make the switch from Premiere. The most common filx for this problem is to "export" your finished desktop platform FCP projects to an audio/video compression combination that is compatible with the target system on which you and/or your target recipients will play the end file. Depending on how you "capture" or import your video content for editing, your projects are likely using one of the "Pro" editing codecs which whould then not be available for playback on any platform which does not have FCP installed. FCP installs a number of "Pro" codecs when the app is installed. Based on what you've said so far, the most common cause of this problem would be that Final Cut Pro (FCP) is installed on the desktop platform but not on the laptop. Sounds like the desktop and laptop each have different system codec component configurations.

Colorfinale edits not in exported video final cu pro movie#

The movie is not in a format that QuickTime Player understands.' when ever I try to play it on my quick time player it gives me this message ' The document “Sequence 1.mov” could not be opened. I recently exported a video from final cut pro unto my external hard drive and it works perfectly fine on the desktop but not on my laptop.